Showing posts with label man. Show all posts
Showing posts with label man. Show all posts

Sunday, July 21, 2013

Arid / Dry

Cand nu mai pot nici sa plang, lacrimile se transforma in versuri, cuvinte si note muzicale, razbesc pentru cateva secunde doar in lumea de afara, se incarca de sens si apoi se intorc spasite acasa. Atunci ma gandesc la tine, incerc iar, in zadar, sa dau pagina, cu mana usor tremuranda, si in loc sa inchid cartea, mai scriu un paragraf.

Sursa foto
Nu mai ploua pe strada mea. Norii stau gata sa se rupa, in fiecare zi, furtuna se dezlantuie numai la mine in suflet, cateodata devenind uragan si maturand totul in cale, ca sa se astearna apoi linistea. Totul e prafuit in jur, timpul ne-a facut pe toti pudra fina si ne-a imprastiat aiurea, farame din tine cu farame din mine, zacand fara sens pe trotuar, pe geam, pe frunze. Si fiecare pala de vant ne amesteca si ne desparte, si tanjesc dupa ploaie, sa ne spele, sa ne adune, sa ne ascunda, sa ne inece.

A trecut anul si nici nu mai stiu daca mai doare. Iti zambesc larg, fara subintelesuri, mai sincera decat am fost vreodata. Ma hranesc zilnic cu lumina din privirea ta, pasind cate o secunda in intunericul dulce-amarui al sufletului drag, fara sa incerc macar sa deslusesc povestile innodate acolo.

Timpul ma intareste, imi privesc carcasa calcifiata si simt constant cum se extinde, cuprinzand treptat fiecare coltisor de fiinta. Sunt clipe cand nu mai simt nimic, in afara de tine, stropul de viata din sufletul meu. Si as vrea sa stii cum imi salvezi viata zilnic, dar mi-as dori sa nu ti-o spun niciodata.

***

When I can't even cry anymore, the tears turn into verses, words and musical notes, they linger for a few seconds only in the outside world, they charge with meaning and then they return home spastic. Then I think of you, try again, in vain, to turn the page, with a slightly trembling hand, and instead of closing the book, I write another paragraph.

It's not raining on my street anymore. The clouds stand ready to break, every day, the storm rages only at my soul, sometimes becoming a hurricane and ripening everything in its path, to then stand still. Everything around is dusty, time has made us all fine dust and scattered us haphazardly, shards of you with shards of me, lying senseless on the sidewalk, on the window, on the leaves. And every wind blade mixes us and separates us, and yearns for rain, to wash us, to gather us, to hide us, to drown us.

It's been a year and I don't even know if it hurts anymore. I smile wide, without undertones, more sincere than I've ever been. I feed daily on the light in your gaze, stepping for a second into the bittersweet darkness of your dear soul, without even trying to unravel the stories knotted there.

Time hardens me, I look at my calcified carcass and constantly feel how it expands, gradually encompassing every corner of being. There are moments when I feel nothing but you, the splash of life in my soul. And I wish you knew how you save my life every day, but I wish I never told you.

Saturday, June 22, 2013

Cafea si tigara / Coffee and a cigarette

Pe plaja bolovanoasa erau aruncate corturi la intamplare, cearsafuri sifonate de vant si iubire, o palarie de soare cu esarfa colorata, umbrele roz, verzi si violete, sticle de vin golite si aruncate aiurea. Si tu... cu ochii limpezi, cu stralucirea din par, linistea din glas, puterea din brate.

Sursa foto
Pe buza de jos, rosie de soare, uscata de vant, ti se oprise un strop de apa sarata. M-am apropiat si l-am sarutat scurt, cu pofta, si gustul a ramas cu mine toata ziua.

Si pielea mea mirosea a cafea, iar mana ta mirosea a tigara. 

Si povesteai cu frenezie, te ascultam cu ochii mari, imi stapaneam o lacrima de fericire, de dorinta, de prostie. Iar tie un ochi iti plangea si celalalt iti radea.

In toate cestile mele e o farama din iluzia unei zile perfecte, pe o plaja populata, dar pustie, cu o mare linistita, nisip murdar, piele arsa de soare, ziua in care pielea mea miroasea a tigara iar mana ta mirosea a cafea!

***

On the boulder-strewn beach were haphazardly thrown tents, sheets soaked by wind and love, a sun hat with a colorful scarf, pink, green and purple umbrellas, empty wine bottles tossed haphazardly. And you... with clear eyes, the glow in your hair, the quiet in your voice, the strength in your arms.

On your bottom lip, red from the sun, dry from the wind, a drop of salt water had stopped. I moved closer and kissed it briefly, hungrily, and the taste stayed with me all day.

And my skin smelled of coffee, and your hand smelled of cigarettes. 

And you talked frantically, I listened wide-eyed, I held back a tear of happiness, of longing, of stupidity. And you had one eye crying and the other laughing.

In all my cups there's a trace of the illusion of a perfect day, on a populated but deserted beach, with a calm sea, dirty sand, sunburnt skin, a day when my skin smelled of cigarettes and your hand smelled of coffee!

Friday, May 31, 2013

Prapastia / The abyss

Prapastia din vis se adancea nebuna in fata privirilor mele demente si ma atragea cu o forta pe care nu mi-o explicam, pentru ca stiam amandoi ca nu vreau sa o inteleg. Si ma apropiam de marginea ei, cu pasi marunti, dar siguri, manata de curiozitate si de dorinte autodestructive, priveam spre abis cu pupilele dilatate.

Sursa foto
In prapastie vedeam zambetul tau, unic, fermecat, si lacrimile mi se opreau in suflet si inghetau acolo, sangele clocotea si o lua la fuga spre inima, si o dorinta nebuna ma indema sa invat sa zbor. Imi spuneam ca nu trebuie sa ai aripi ca sa zbori, atata timp cat zborul e descendent. Numai sa ajung la tine, sa-si sterg lacrima pe care o simteam pe obrazul tau.

Simteam perechi de maini mute cum ma opresc, ma apuca cu disperare de brate, de par, de picioare, dar calcam inainte, cu pas rar si decis, cu privirea din ce in ce mai salbatice. Pamantul sub picioare devea din ce in ce mai aspru, il simteam cum aluneca sub talpa mea, si in loc sa ma tem, ma umpleam de o bucurie nebuna: mai era putin si ajungeam la tine. 

M-am oprit la marginea haului sa privesc inca odata lumea din jur: trecutul, viitorul, prezentul jalnic. Ce pierdeam, sau cine ma pierdea. Am zambit triumfator, am tras aer in piept si am infruntat realitatea: m-am aruncat in gol.

Plutesc, sau zbor, si asta de o vreme. Te vad din ce in ce mai aproape, ma imbat cu tine, si astept sa imi finalizez picajul, sperand ascuns ca undeva, pe parcurs, sa ma opresc brutal in bratele tale, inainte de a ma imprastia pe fundul prapastiei fara nume.


***

The abyss in the dream loomed crazily before my demented eyes and drew me with a force I couldn't explain, because we both knew I didn't want to understand it. And I approached its edge, with slow but sure steps, driven by curiosity and self-destructive desires, I stared into the abyss with dilated pupils.

In the abyss I saw your smile, unique, enchanted, and tears stopped in my soul and froze there, blood boiled and rushed to my heart, and a mad desire urged me to learn to fly. I told myself I don't have to have wings to fly, as long as the flight is downward. Just to reach you, to wipe away the tear I felt on your cheek.

I felt pairs of mute hands stopping me, desperately grabbing my arms, my hair, my legs, but I stepped forward, my step slow and determined, my gaze growing wild. The ground beneath my feet was getting rougher and rougher, I could feel it slipping beneath my soles, and instead of being afraid, I was filled with a mad joy: I was almost there. 

I stopped at the edge of the haystack to look once more at the world around me: the past, the future, the pitiful present. What I was missing, or who was missing me. I smiled triumphantly, took a deep breath and faced reality: I threw myself into the void.

I've been floating, or flying, for a while now. I see you getting closer and closer, I'm falling with you, and I wait to complete my plunge, secretly hoping that somewhere along the way I'll come to a brutal stop in your arms, before I splatter myself to the bottom of the nameless abyss. 

Friday, May 24, 2013

Un el si-o ea / A He and a She

Despre el si ea nu s-a scris niciodata nicio carte, niciun rand macar, nu s-a compus niciun cantec, nu s-a scrijelit niciun vers pe hartie, pentru ca el si ea nu au existat vreodata, iar povestea lor, nescrisa, necitita, nepovestita, nu a zguduit niciun suflet in pragul serii.

El si ea s-au cunoscut candva, dar nu s-au cunoscut niciodata, iar cand s-au intors cu spatele sa uite, refuzand sa scrie povestea, ecourile le-au rasunat un timp in suflet, le-au brazdat un rid pe frunte, apoi au trecut, pentru ca de fapt nu s-au auzit niciodata.

Sursa foto
El si ea s-au plimbat de mana pe malul marii in Vama, intr-o noapte cu o luna mai mare decat exista, dar nu au facut niciodata vreun pas impreuna, chiar daca din cand in cand isi mai simt picioarele pline de nisip si parul mirosind a mare. Pentru ca marea era prea tulbure si luna nu se oglindea perfect in ea.

Un el si-o ea, niste straini, atat de cunoscuti insa mie si tie, si-au spus totul fara sa rosteasca vreo vorba, s-au privit ore intregi, insa cu ochii inchisi. Si-au dat mana si au refuzat sa mearga mai departe si sa raspunda intrebarilor nerostite.

El si ea, ea si el, prea greu sa inteleaga ce nu era de inteles, prea bland sa nu raneasca, prea trecator sa nu dureze, prea inficosator sa nu fascineze, prea evident sa nu treaca neobservat.

***

No book was ever written about him and her, not a single line, no song was ever composed, no verse was ever written on paper, because he and she never existed, and their story, unwritten, unread, untold, never stirred a soul on the threshold of evening.

He and she once knew each other, but never met, and when they turned their backs to forget, refusing to write the story, the echoes sounded in their souls for a while, furrowed a wrinkle in their brow, then passed, because they never actually heard each other.

He and she strolled hand in hand along the seashore in Vama on a moonlit night, but they never took a step together, even though every now and then they could still feel their sandy feet and their hair smelling like the sea. Because the sea was too murky and the moon didn't reflect perfectly in it.

A he and a she, strangers, so familiar to me and to you, told each other everything without saying a word, looked at each other for hours, but with their eyes closed. They shook hands and refused to go on and answer unspoken questions.

He and she, she and he, too hard to understand what was not to be understood, too soft not to hurt, too fleeting not to last, too inficuous not to fascinate, too obvious not to go unnoticed

Tuesday, April 9, 2013

Viata nu e ca in filme... / Life is not like movies...

Filmele tampesc. Sau, ma rog, incearca sa tampeasca, sau sa isi bata joc de inteligenta noastra, aia, cata mai e ea acolo...

Tocmai ce am vizionat doua filme care jongleaza aceeasi idee cretinuta: sotii inselati iarta si uita repede.

Primul: The End of the Affair. Ea il inseala de-l rupe pe amarat, pana la urma isi lasa si amantul, din motive mai mult sau mai putin obiective, apoi, spre finalul vietii (ca vorbim de o drama, nu asa, oricum), se reintoarce la amant, iar sotul ei cel mult iubitor accepta sa stea la capataiul ei de muribunda impreuna cu amantul. Pentru c-o iubeste asa de mult...What????
Photo source

Al doilea, The Painted Veil: la fel, ea inseala un prostisor mult prea moale si prea prins de menirea lui de om destept, el afla, se supara, dar supararea dureaza mai putin de 2 luni, si cand ii trece, ii trece asa de tare incat accepta si ideea ca nevasta-sa e insarcinata cu un copil despre al carui tata nu este sigura nici ea cine este... Si, la finalul grandios, care se lasa, desigur, tot cu o moarte, a lui, ea e rupta in doua, sufera cumplit, dar mi-e neclar daca din cauza mortului sau din cauza ca se simte vinovata.

Nu stiu cum se intampla lucrurile in filme, eu cunosc sentimentele alea care se cimenteaza mai greu si dureaza cu anii, cunosc gelozia aia nebuna, pe care o asociez cu o iubire la fel de nebuna.

Si imi tot spun: mai putine filme, mai multa lectura...

***

Movies make us stupid . Or, well, they try to make us stupid, or to make fun of our intelligence, that is, how much of it is there...

I've just watched two movies that juggle the same moronic idea: cheating spouses forgive and forget quickly.

The first: The End of the Affair. She cheats on the poor stupid, eventually leaves her lover too, for more or less objective reasons, then towards the end of her life (like we're talking drama, not like this, anyway), she returns to her lover, and her much-loved husband agrees to stay at her dying bedside with her lover. Because he loves her so much...What????

Second, The Painted Veil: similarly, she cheats on a fool who's far too soft and too caught up in his clever man's mission, he finds out, gets upset, but the upset lasts less than 2 months, and when it passes, it passes so badly that he also accepts the idea that his wife is pregnant with a child whose father she's not sure who the father is either... And, at the grand finale, which of course also ends with his death, she is torn in two, suffering terribly, but it's unclear to me whether it's because of the dead man or because she feels guilty.

I don't know how things happen in the movies, I know those feelings that take years to cement, I know that crazy jealousy that I associate with an equally crazy love.

And I keep telling myself: less movies, more reading...

Monday, April 8, 2013

Cand ai plecat / When you left

Iti amintesti privirea ei cand ai plecat? Se pierduse cumva in adancul sufletului tau, cautand cu disperare raspunsuri si solutii. Si nu te-a rugat sa stai, cu toate ca i se innodau silabele in gat iar sufletul gemea sub greutatea cuvintelor pe care nu putea sa le rosteasca. Ar fi vrut sa te cuprinda pe tot intr-o privire, sa te inchida intr-o casetuta ascunsa adanc in sine, sa iti deschida portile catre sufletul ei, in speranta ca vei intra si nu vei mai pleca. Dar n-a facut-o.

Sursa foto
Iti amintesti discursul ei cand ai plecat? A intrugat in pripa doua fraze, jumatate confesiune, jumatate lamentatie, a suspinat adanc intre ele. Ar fi vrut sa se arunce in genunchi, sa se agate disperata de glezna ta, sa uite de toata lumea din jur, sa urle, sa isi smulga straturile ce ii acopera sufletul, doar sa stai. Dar n-a facut-o.

Iti amintesti lacrimile ei cand ai plecat? Au tasnit din ochii mari, doua fire salbatice de cristal transparent si fierbinte, s-au rostocolit pe obraz, s-au desprins si s-au lovit violent de asfaltul rece. Ar fi vrut sa pice si ea acolo, in mijlocul multimii, sa hohoteasca ore intregi, sa isi urle durerile pe rand, doar sa mai stai. Dar n-a facut-o.

Ochii ei te-au urmat pana ce silueta ti-a devenit transparenta si difuza in noapte, apoi, dupa ce ai disparut privirilor ei, a continuat sa stea in mijlocul strazii ca o stana de piatra, sperand sa te intorci. Dar n-ai facut-o.

***

Remember the look on her face when you left? She was somehow lost in the depths of your soul, desperately searching for answers and solutions. And she didn't ask you to stay, though her syllables were coiling in her throat and her soul groaned under the weight of words she couldn't speak. She would have wanted to take you all in with a glance, to lock you in a little box hidden deep within herself, to open the doors to her soul, hoping you would enter and never leave. But she didn't.

Remember her speech when you left? She hastily strung together two sentences, half confession, half lament, sighed deeply between them. She wanted to drop to her knees, cling desperately to your ankle, forget everyone around her, scream, tear away the layers covering her soul, just sit. But she didn't.

Remember her tears when you left? They spilled from her big eyes, two wild strands of clear, hot crystal, rolled down her cheek, broke loose and smacked violently against the cold asphalt. She would have liked to fall there, too, in the crowd, sobbing for hours, howling out her pains in turn, just so you stay. But she didn't.

Her eyes followed you until your silhouette became transparent and diffuse in the night, then, after you disappeared from her gaze, she continued to stand in the middle of the street like a stone pillar, hoping you'd come back. But you didn't.

Friday, April 5, 2013

Masca / The mask

Da-ti masca jos, carnavalul a luat sfarsit, artificiile au ars pana la ultima, au luminat cerul si au speriat porumbeii de pe stalpi. Jocurile au fost facute, rolurile au fost jucate, aplauzele au palit, cei care au huiduit urmeaza a fi omorati cu pietre, in alta piesa, mai sangeroasa.

Sursa foto
Asteptam cu inima la gura sa inceapa viata. Cum, nu esti pregatit? Eu m-am nascut pregatita, numai ca de atunci au trecut niste ani.

Mi-am agatat masca intr-un colt de suflet si ma lupt cu mine in fiecare zi sa imi arat fata in public. E bine ca publicul e diferit, cel putin cateodata, e bine. Nu-mi trebuie spectatori, si nici spectacol, de altfel. Vreau liniste, sa refac machiajul in spatele cortinei grele, sa-mi aleg costumul si rolul, sau sa renunt la toate si ies goala in fata tuturor, tinandu-mi strans intre dinti inima.

Renunta la masca, paseste gol prin multime. Si ei sunt goi, cu totii, insa se tem de priviri, de reprosuri, de sentimente. Alearga cu mine de mana, cu ochii inchisi si mintea deschisa, vom ocoli prapastia impreuna, sau ne vom imbata cu ecoul caderii in abis.

***

Take off your mask, the carnival is over, the fireworks have burned down to the last, lit up the sky and scared the pigeons off the poles. The games have been played, the roles have been played, the applause has paled, the booers are to be stoned to death in another, bloodier play.

We wait with bated breath for life to begin. What, not ready? I was born ready, only it's been a few years since then.

I've hung my mask in a corner of my soul and fight with myself every day to show my face in public. It's good that the public is different, at least sometimes, it's good. I don't need an audience, and I don't need a show, for that matter. I want quiet, to redo my make-up behind the heavy curtain, to choose my costume and role, or to give it all up and go out naked in front of everyone, holding my heart tightly between my teeth.

Drop the mask, walk naked through the crowd. They're naked too, all of them, but they're afraid of stares, of reproaches, of feelings. Run with me by the hand, eyes closed and mind open, we'll skirt the chasm together, or we'll get drunk on the echo of falling into the abyss.

Tuesday, May 6, 2008

Si baietii plang cateodata / Boys do cry sometimes too

Mult inainte de a ajunge la varsta cugetarilor intelepte, mi-a fost dat sa intalnesc o intreaga tipologie de barbati, si asta datorita firii analitice care mi-a fost harazita. Gandirea societatii in care traim este dominata de mitul barbatului dur, cu maxilarele patrate, cu par pe piept si cu privirea necrutatoare, de care valurile vietii se sparg ca de malurile stancoase de la marginea marii. Pe langa aceste exemplare, pe care, personal, nu le consider superioare, ci mai mult la limita primitivismului, mai sunt, inca, si barbati adevarati, oameni cu calitati si defecte, cu o cantitate de testosteron care nu depaseste limitele bunului simt. Sunt barbatii care pot sa planga cateodata, "cand nu-i vede nimenea"... Sunt barbatii pe care ii admir si ii respect, capabili sa iubeasca pana la moarte, sa sufere si sa indure mai multa umilinta si durere decat pachetele de muschi de care pomeneam mai devreme. Am cunoscut in viata mea mai multi asemenea barbati, incepand de la tata, care plangea la filme si-mi recita poezii de Minulescu, la fratele meu, care, desi se exteriorizeaza mai greu, e capabil de teribil de multa iubire, la barbatul de langa mine, sinteza a tot ce mi-as fi putut dori vreodata. Azi am mai intalnit unul. Ne cunoastem de luni intregi, dar n-am stiut povestea lui, n-am banuit durerea ascunsa de ochii veseli si glasul jovial. Iubine neimpartasita, sau imposibila, sau "nu inca"... pe scurt, doi oameni perfecti unul pentru altul, care nu sunt impreuna. Si, desi banala, povestea capata ceva inaltator spusa de un barbat adevarat, care recunoaste ca-l macina durerea. Poezie pura, in secolul 21... Citeam luna trecuta un articol despre moartea din iubire. Statistic vorbind, barbatii sunt cei care conduc detasat in topul macabru al suicidurilor din iubire. Autoarea, feminista convinsa, sustinea ca motivul care-i impinge intr-acolo nu este altul decat incapacitatea barbatului de a face fata durerii (cu trimitere directa la vaicarerile teribile de care sunt in stare cand se julesc la vreun deget). Adevarul e ca barbatii sunt capabili de sentimente cu mult mai profunde decat noi, femeile, putem sa intelegem vreodata. Se straduiesc sa ne arate asta cu cadouri exorbitante, versuri memorabile si, in cele mai nefericite cazuri, jertfindu-si viata pe altarul unei iubiri pe care n-o vom putea intelege niciodata. Noi femeile suntem mai egoiste, si asta mai ales dupa ce trecem de varsta de la care putem fi mame. Nu ne-am da viata asa, cu una, cu doua, pentru a demonstra ceva. Barbatii o fac, si mai presus de asta chiar, nu ar regreta-o niciodata. Admir barbatii adevarati! Admir barbatii care nu considera lacrimile un semn de slabiciune, ci o modalitate simpla si eficienta de a-si arata fata umana.

***
Long before I reached the age of wise thinking, I was given the opportunity to meet a whole typology of men, and this was due to the analytical nature that I was blessed with. The thinking of the society in which we live is dominated by the myth of the tough, square-jawed, hairy-chested, unrelenting-eyed man, against whom the waves of life crash like the rocky shores of the seashore. Besides these specimens, which I personally do not consider superior, but more on the edge of primitivism, there are still real men, men with qualities and flaws, with an amount of testosterone that does not exceed the limits of common sense. There are men who can cry sometimes, "when nobody sees them"... There are men I admire and respect, capable of loving to death, of suffering and enduring more humiliation and pain than the bundles of muscle I mentioned earlier. I have known many such men in my life, from my father, who cried at the movies and recited Minulescu poems to me, to my brother, who, though he is more difficult to express, is capable of terribly much love, to the man next to me, the synthesis of everything I could ever want. Today I met another one. We've known each other for months, but I didn't know his story, didn't suspect the pain hidden in his cheerful eyes and jovial voice. Unshared love, or impossible, or "not yet"... in short, two people perfect for each other who are not together. And, though trite, the story takes on something uplifting told by a real man who admits that he is consumed with grief. Pure poetry, in the 21st century... I was reading an article last month about dying in love. Statistically speaking, it's men who lead the macabre top of suicides for love. The author, a staunch feminist, argued that the reason that drives them there is none other than the man's inability to cope with the pain (with direct reference to the terrible laments they are capable of when they skin a finger). The truth is that men are capable of far deeper feelings than we women can ever understand. They strive to show us this with exorbitant gifts, memorable lyrics and, in the most unfortunate cases, by sacrificing their lives on the altar of a love we can never understand. We women are more selfish, and this is especially true after we pass the age of motherhood. We wouldn't give our lives away like that, with one, with two, to prove something. Men do, and even more than that, they would never regret it. I admire real men! I admire men who don't consider tears a sign of weakness, but a simple and effective way to show their human face.